Monday, June 17, 2013

A Peek Inside the Diary of an Artist

With the snow forecast I hope to have a day or two up my sleeve to work on pieces for my show.

I thought I'd share some pages from my visual diary. I almost never draw a design. I find the end result is stiff and prefer the spontaneity of composing with materials on the studio table. I use my diary as a means of working out technical problems and recording ideas for altering and manipulating parts.

I tend to draw small, to fit in a lot per page so I don't have to keep flipping over to find the note I'm looking for. These are stream of consciousness thoughts, quick sketches that give me a list of techniques to draw on as I compose the medals. 


A glimpse into the creative process.

Thursday, June 13, 2013

Decorated - Exhibition by Marisa Cappetta

I'm pleased to announce the details of my exhibition, 'Decorated', opening 6pm,  22 October 2013, St Andrew's College. The show is curated by Pip Dinsenbacher.

When I showed Pip the new jewellery (pictured in my previous post) she got very excited and after a bit of conversation about how the pieces are made and the overall concept, she offered me the show. The title is a word play, it means to confer an honor and is also a reference to the decorative arts.

I'll be working pretty hard over the course of the next 5 months, preparing 50 - 60 new pieces for the show.  I already have 10 laid out on the bench, ready for fabrication. The medal theme is rich with symbolism and open to interpretation, from fairly sober  to parody and humour.

An exhibition is a special time in an artist's life. It's a chance to tell an entire story and fully develop and realise a concept. Looking forward to the months ahead!




Tuesday, June 4, 2013

Medals for Extraordinay Yet Overlooked Achievement

Vintage teaspoon stamped, watch gears, coffee pot charm, pearls.
This new work came about through an exploration to find a framework for mixed media jewellery. I strenuously deny that it was birthed in order to legitimize my love for rummaging in flea markets. Well, maybe a little. For years I've collected all sorts of small treasures and at times have tentatively included a few in my bead work. A short while ago, I sat down with pencil, visual diary and lots of inspiration in the form of journals.

Copper, bee charm, watch gears, Victorian button, beads, old necklace.
I can't say when the moment happened, I wasn't looking at medals or jewellery. I don't believe in muses. I think the process is about allowing  time and  focus for a free flowing set of images to occur. I usually get caught up in the urgency to make something, I don't allow time for something new to percolate. It's a valuable lesson: give time to start of the creative process, the germination of an idea.

Copper, hare charm, part of a chandelier, brass thingie stamped.
The concept I've chosen is medals. Within that framework there are infinite possibilities for composition, which suits me. I prefer making one off works of art rather than churning out duplicates of the same design.

Using my metal work skills, I alter and modify components to fit my design as well as fabricate the findings to suit.The images, words I've stamped and the components lend each other meaning, a narrative in some cases.

At last I have a chance to use my treasures and hunt for more (in spite of my denial).
Best of all, they are fun to make, affording me an opportunity to play.


Monday, April 22, 2013

Return to Repoussé

This is an example of my repoussé work, a process of forming  flat sheet metal by supporting it on a bed of pitch and working it with small punches. This piece is hollow, worked from the back and front, through many stages of annealing and hammering.

I gave it up for a while, because the black pitch I used produces noxious fumes when burned off. With some good alternatives to black pitch on the market, I'm keen to return to it.

Tuesday, October 16, 2012

Returning to Bead

After a long absence from any serious beading while I finish my folio for The Hagley Writers Institute, I finally returned to the table to create. I made this necklace, a simple embellished band in Patawatomi Stitch. The dip of my needle into the bead dish and sparkle of crystal gave me great joy! I collect all sorts of things that eventually find a place in a finished piece of art or jewelry. I knew I was missing my stash of pretty things when I wrote a poem about them.

Unruly Collections

I’ve got a brass tap
that has a plump breast.
it’s sudden breath
a bird in my hand.  

Webster’s glasses
slips down its nose.
It illustrates croziers and comets,
mushrooms and mustard
on pages of dictionary-amber. 
 
Pulp fiction postcards
and vintage erotica pinups,
is where I sin.
A shrine of Singer sewing parts
is where I pray. 

Creatures of hinges and cogs
pulleys and keys
collect in corners,
mumble and peer,
watchful for fallen beads
they dart out and eat. 

Cigarette card butterflies
stir when I rattle
my sewing machine.
They collect pollen
from the poetry
stitched to my walls.

Marisa Cappetta

 

 

 

 

 

Sunday, February 5, 2012

My Palette

I'm often asked how I come up with the colours I do. The answer is I have a vast collection of beads and vintage elements, collected over many years. I can't mix my colours from a tube in order to create subtle tones and unusual colour mixes, so a lot of beads are needed. Essentially, my bead collection is my artist's palette. Here's a small-ish selection of the things I'm currently working with. These boxes of treasure were used to create my latest  asymmetric earrings with vintage jewelry elements.

You can see them in my store by clicking here.

Thursday, January 26, 2012

Flowers After the Quake

On a corner of our inner city where several buildings have been demolished, where once there was only the small detritus from the demolition, someone has seeded the entire block with flowers.
I’m amazed by the human capacity to celebrate life in the midst of chaos.  I finally have my earthquake project, I haven’t been able to write about it, but maybe I can design something.

I like the rough edges contrasted with the delicate flowers. I have a ton of broken china, maybe I can incorporate that, other found objects, metal.  There are so many demolition sites for inspiration for the broken stuff. The flowers give me hope for the future.

Tuesday, January 24, 2012

Happy New Year 2012

I'm well and truly launched for 2012. Seven poems accepted for publishing, my manuscript off to AUP shortly to be considered for publication  and my Etsy store back up and running.

The 23 December quakes were horrible. I was making a cheesecake for Christmas day when they struck and I simply lost heart, sat in a chair and didn't want to move. In the end I have myself a good talking to, "Self", I said, "Get on with it or you'll have a lousy Christmas." After a stern lecture, and against all my instincts which were telling me to sit tight and hang onto something, I got up and kept going.

I figure I have it easy. My house is ok, I didn't lose anyone in the Christchurch quakes. A few broken ornaments and a sense of the impermanence of things are things I can learn to live with. After all:

.
Emotions are messy, you can't put them in neat little jars.







If we're lucky we acquire the tools we need to cope. 















That's a pretty corny attempt to segue into a few pics of my studio. So it's time to get to work making jewelry and writing. Happy new year one and all and look forward to sharing my journey with you.
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Thursday, September 2, 2010


A new design series for me. I've been wanting to bring more recycled materials into my work. The central motif and leaves are cut from a biscuit tin. I formed the flower, doming it and making a large cab shape. The beaded beads are my design. the neck ring is neoprene. The end caps, sterling silver, again, my own silver work.

I'm planning to upcycle more materials. It's important to me.

Friday, January 29, 2010

The pictures to follow are my explorations in making beaded beads based on polyhedron templates. I'm fascinated with self-supporting beaded beads. It's not easy to achieve as woven beads tend to articulate and attempts to make a hollow structure usually collapse. By placing crystals at certain points in the design, I achieved a self supporting structure. They're also light, making them good for earring designs. I plan on making a necklace from the red and black beads. I found that by using beads a size down, I created a smaller accent bead which will act as spacers between the larger ornamental beads. The outcome of my experiments is very pleasing.

Top view of the 5 sided beaded bead.

My favourite beaded bead, the 5 sided polyhedron. Made with size 11 seed beads and 4mm fire polished crystals.

The top view of the 4 sided polyhedron bead.

I then moved on to a 4 sided polyhedron. This beaded bead is made from size 11 seed beads, 3mm, 4mm and 6mm fire polished crystals.

Top view of the 3 sided bead.
I began my explorations into beaded beads with this 3 sided polyhedron. Made from size 11 seed beads and 6mm fire polished crystals

Wednesday, December 23, 2009

A Goose Tale

I called my grandparents oma and opa. They arrived in Northam , Western Australia as assisted passage migrants, in 1955. The history of those migrants is being documented, they helped make the fortune of WA, building the railway and working in the mining industry. Although Northam is a country town, it is a large regional center, the rail exchange is there, it’s the collection point for the sheep/wheat industry, dotted with huge silos for grain and holding yards, all waiting to be shipped out by rail. It's hot in summer, freezing in winter, a far cry from Linz. However, my family adapted and thrived.


At first the migrants all lived in the old army barracks, called The Holden Camp, which I eventually learned, meant holding camp. The Aussies drop the ‘g’ and that’s how the camp got it’s name. Nothing to do with cars! Although it did have its own road system. Long after it was torn down as a barracks and migrant holding camp, the second generation migrants (me) learned to drive on the roads which were never removed.


Eventually the migrants earned enough money to move out and buy houses. My grandparents were no exception and owned several properties. Like many families in our neighborhood they kept fowl, grew fruit trees, grape vines, almond trees, cultivated large veggie gardens. The lessons of the war were learned and they leaned towards a partial self sufficiency.


My grandparents also kept geese. Now, in the movies, when you see a flock of geese, they are usually walking in stately procession along a lovely brook or in a green meadow. In reality, geese are highly domesticated birds that like to be as close to humans as possible. They make good guard birds, announcing the arrival of visitors and strangers with loud honks. Also, in the movies, the goose girl or boy is usually attired spotlessly. Again, in reality, the entire back of their garments would be completely befouled by goose crap from constantly slipping on it and falling on their arses.


Goose crap is the WORST crap in the entire universe. It’s a sickly whitish green with horrid, darker green streaks, it is slimy and copious. It's a cross between snot and crap. Charming. Because geese like to be close it’s usually all over the backyard, right outside the door.


But that’s not their worst attribute. Geese have vile tempers. They attack for no reason and don’t know the meaning of the phrase ‘pick on some one your own size’. Many times I saw a terrified and screaming younger cousin charging up the garden path (last count, I have 23 first cousins) pursued by a shriek-honking, semi-flying, with pounding wing span of around 5 feet, bill as sharp as a razor, enraged goose. This usually ended when the poor mite would slip in goose shit and the feathered fucker would try and peck him or her to death whilst buffeting mercilessly with it's strong wings. Fortunately opa would hear the mayhem before any real damage was done, race out to the yard with a broom and beat the bird back.


We knew then, that oma’s signature dish would be on the menu that night. Uppity Goose Stew...with dumplings.


Merry Christmas and if you're having goose, enjoy. That bird probably had it coming.

Sunday, December 6, 2009

I've been making some crochet snowflakes as gifts. I have many that my great-grandmother made, some before I was born. Studying the design, I've managed to reproduce and elaborate on her designs. It's been a wonderful exercise in connecting to her. She's been gone for 30 years now, yet she still has something to teach me. Enjoy the photos :)

Saturday, December 5, 2009